Ugochi IV

Drawing of Ugochi portrayed with graphite pencils on Bristol Vellum paper.

Watching my sister come of age is one of the most joyous things that have ever happened to me, especially as her birthday marks a year further in my artistic journey. I vividly remember my first drawing of her four years ago, which was largely without form due to the absence of shading in my drawings.

Drawing of my sister four years ago.

Within that four-year frame, my drawings have noticeably improved, and I owe that to YouTube realism tutorials from the likes of Silvie Mahdal, Kristen Patridge and so many more graphite and crayon experts who, through their works, inspired me to keep drawing and subsequently improve. I’d also owe the improvement to the spurring support from you, my WordPress family, and also my sister, whose existence and annual voyages around the sun, have fueled the artistic flame further.

I chose this grimacing picture of her for my recent study, as I continue to explore the world of emotive portraiture, and I must say, I’ve picked quite a few souvenirs from my expedition, including this one, and I hope my future collections only get better from this point.

So, without further ado, I’d like to wish my sister a wonderful birthday, with hopes of umpteen more blissful ones to come.

Cheemnonso

Portraying Moms. (Sketch)

It is Mothering Sunday! A day to acknowledge and honor the adorable ladies who bore and aided our passage to Earth. However, mothers should not be limited to women who bear children and aid in procreation, as many who proved infertile have nurtured, fostered, and raised children who have been seemingly abandoned by their so-called procreators. These, I liken to the sweet roses of love everblooming in a desolated land of hate, thus, earning their right to be called mothers.

Mother and child portrayed with STÆDTLER graphite Pencil set on Bristol vellum surface paper.

In my little way of honoring mothers, I peeked through Pinterest to find reference photos depicting motherhood and ended up with my recent portrait study. I found it captivating and challenging as it is my first portrait with two faces, albeit completed with graphite pencils on a 9 by 12 inch Bristol vellum paper (small surface given reference photo). In my After Dark post, I highlighted the importance of shading drawings of big sizes, as this captures more details in your drawings, thus, providing more accuracy in drawings. However, my recent study was mainly for illustration purposes and I was okay with how it turned out in the end.

Without further ado, I wish a happy Mothering Sunday to all the moms, with hopes you continue to be that undying source of love to your offspring, family, and the world in general. Do stay blessed.

Cheemnonso

Inter-Dimensions. (Sketch)

Completed with A4 cardboard paper and STÆDTLER graphite pencils. (Portrait reference)

What do you see when you close your eyes? Yep! You read that right. What do you see when you close your eyes? For lovers, the astral plane becomes the thin veil between reality and that fervent french kiss. For poets, words become ventriloquists, breathing life into the inanimate, whilst the living become statues of its awe. For cheerful givers, they see blooms of happiness sprouting from seeds sown in the needy’s bosom, and for non-givers, well, they see nothing, for they had already turned the blind eye, lol. Anyways, the answer to this question still saunters back and forth on the bridge between reality and our fantasies.

Fascinated by this question and the portrait reference (by Sandra Parreno photography , whose character seems torn between the 2D and 3D verse), I decided to make this my first drawing of the year 2022.

Looking back at my drawings in 2021, I noticed significant improvements from 2020, particularly in maintaining shading segue, to add more depth to realism; however one crucial drawback still exists: portrait likeness.

Last drawing of 2021 completed with STÆDTLER graphite pencils and Arteza Drawing pad (80 pages). Drawing deviated from portrait likeness, however shading seemed okay. (Portrait reference)

Achieving portrait likeness will be the key area I’d work on this year as I try to build on more emotive drawings from years past, and judging from my recent portrait, I see good signs in shading, particularly as the paper used was a bit low grade (still on my media exploration quest); However, the rooms for improvement in portrait likeness ultimately need inhabiting.

Please, feel free to reach out if you’re interested in learning some of my portrayed techniques, and I’d also appreciate every critical input on my works. Thank you.

Cheemnonso

The Dawn of Fear. (Sketch/Freeverse)

It’s Halloween season again, and it’s time to unleash the spookiest of costumes for tricking and treating. This time, however, I resorted to commemorating Halloween using graphite pencils and poetry. Weird?

The portrait study this time is a screaming Simon Pegg found on Pinterest.

Drawing of screaming Simon Pegg on Bristol Vellum Paper using STÆDTLER pencils

Graphite pencils were chosen this time as it’s much easier to work with one color (greyscale) compared to the abundance of hues in colored pencils. Moreover, working with graphite pencils gives more freedom to explore one’s range of drawing techniques without fear of making mistakes. This is particularly useful when those learned and perfected techniques are subsequently implemented in color pencil drawing.

Enjoyed creating this drawing (particularly the wrinkles); so much that I was inspired to write a free verse that centers on fear. Hope you like it.

I tremble not at the sight of scornful scorpions and creeping creatures,

nor do I quiver in the face of vast chasms spewing fire and brimstone;

I fear not the traversal of the deathly Elm street,

riddled with ghostly apparitions and prancing monsters,

for in the ambiance of neon-lit jack o’ lanterns,

the incandescence of His word further belights my path;

Alas,

I’m scared I’d find solace in the dark,

for the light keeps revealing my tears to sneering seagulls;

I dread that at Love’s feet layeth humanity’s jigsaw puzzle,

but pride keeps bloating my piece,

so much, I no longer fit;

I’m afraid that for my good deeds

Mother Nature bestows a priceless invisible garment,

but never gets to see its beguiling beauty on me;

I’m petrified that the world has lost all sense of colour,

and through her monochromatic lens, I’d be deemed shady.

I’m frightened my trust for humankind has eloped with the wind,

for her cold shoulder has turned my heart to ice,

and in her spiky grasps, it shatters to bits;

I’m affrighted life may morph into the desiccated woods

with us, each tree,

and my voice, endlessly drowning in its psithurism;

But most of all,

I’m scared I show no fear,

for fear is a rampaging hound preying on feeble minds,

and strong, I must appear.

🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃

So, what are you most scared of? Feel free to share your thoughts.

Happy Halloween by the way, with hopes November brings good tidings. Do stay blessed.

Cheemnonso

Drawing Yelena. (Sketch)

Sketchbook: Arteza Drawing pad (80lb)

Media: Black Widow/ Arteza Color Pencil set

The reference this time was particularly inspired by my choice of coloured pencils, which was predominantly dark-toned black widow pencil set, hence my drawing of the character, Yelena Belova (portrayed by Florence Pugh), from the Black Widow movie.

I have had this pencil set a while now, but it was majorly used to underpin my prevalent Arteza coloured pencils in colour drawing, so I decided to make an exception this time with role reversals.

Three particular pencil shades were used for skin tones including Leather, Suede and Olive brown, whilst both Midnight and Greyhorn variants were used for her gear. Arteza’s Pink macaroon, however, was used for blending the skin out, albeit not hundred percent achieved. This was subject to my carefulness with the sketchbook paper, as the burnishing technique can be somewhat hostile and aggressive on drawing papers.

Nonetheless, these pencil sets have proved to be a great combo in colour pencil realism for me, and I’d keep using them, for now, to see how I improve off them.

I hope you enjoy this piece as much as I enjoyed creating it, and, do have a blessed week ahead. Ciao!

Cheemnonso™

Ugochi III. (Sketch)

Graphite rendition of Ugochi

Sketchbook: Arteza Drawing Pad (80lb)

Medium: STÆDTLER Graphite pencil set

It’s that time of the year again, when my baby sister celebrates her birthday, consequently signaling one more progressive year in my artistic journey. At this point, she knows she has become my most used muse, but one thing she does not know is what reference picture I will choose of her, or which medium I’d portray her in (colored pencil or graphite). This has always made her birthday expectations somewhat of a surprise.

This time, however, I chose a tricky reference picture; one that she discarded at the time due to poor photo lighting. I chose this because it presented various challenging features including:
• portrayal of light and shadows
• achieving depth in drawing braids,
• realistic body features (hands and foot)
• cloth form and likeness.

I am happy with the performance in some of these areas and how it turned out generally, particularly as she was carved from another page on my sketchbook. More importantly, I am glad she loved it bearing in mind she once disliked the original photo; So, I’d like to use this opportunity to wish her a very happy birthday with many more years, hoping I’d capture her alluring moods in the years to come.

By the way, if you have any questions concerning improvements in portrait realism or realism in general, I’d be more than willing to help. Conversely, I’d appreciate critical inputs on some flaws that could help me improve as well. For now, however, do have splendid days ahead. Ciao!

Cheemnonso

Alma de Cristina. (Sketch)

Graphite rendition of Cristina Otero’s Soul Portrait.

Sketchbook: Arteza drawing pad (80lbs)

Media: STÆDTLER Graphite Pencils

Still on expressive portrait drawings, I stumbled on this monochromatic reference photo on Pinterest (as ever), and after finding it captivating, I decided to give it a try with my graphite pencils.

After some digging, I discovered that the photo is indeed a self-portrait of Cristina Otero, a young Spanish photographer, who captured this using the front camera of a Huawei P10 smartphone, of which she dubbed a Soul Portrait, hence the title of this blogpost in Spanish.

This time, however, I opted for my normal 80-paged Arteza drawing book to recreate this photo, rather than the much smoother Bristol vellum surface paper, as I seek to complete the sketchbook soon enough, amidst hectic school and work schedules.

The drawing came out coarser, as expected, because the drawing pad has got more tooth than vellum surfaces. It is evident from the original photo that I still struggle a bit with portrait likeness, probably due to the inaccuracy of my grids, which needs to be improved, thus, giving me room for progression in portrait realism.

In all, the drawing seemed satisfactory for me, if for anything, the depth of realism on the hand figure, and judging from this, there will be more graphite and colored pencils drawings emanating from this drawing pad, hopefully with better results. Fingers crossed!

Cheemnonso

After Dark. (Sketch/Quatrain)

Graphite rendition of Ninõ.

Sketchbook: Bienfang Bristol Vellum paper

Media: STÆDTLER graphite pencils

Earlier this year, I indicated that the theme of my portrait sketches in 2021 would exude more expressions/emotions with some interludes pending striking inspirations, and my recent study seems to suggest we are on the right track.

Like always, I came across my recent portrait study on Pinterest, all monochromatic, and the wisest option was to approach this drawing using graphite pencils on a vellum surface. What particular piqued my interest in this study was my long-dreaded fear of going too dark in shading and drawing drops of water. I found this crying child or Ninõ (as dubbed by Pedro Luis Raota, the actual photographer, in 1970) encapsulating all I have always feared in drawing; thus, I decided to take on the challenge.

Initially, things went smooth, but I had not even gotten to the teardrops and my 8B pencils were already toast because of the number of dark areas I had to cover; however, I had to improvise with my other pencil grades.

Although likeness suffered a bit, one key takeaway from the drawing was that the bigger the size, the better the details you capture in your portraits, so these enabled shading the teardrops fairly easy.

Overall, I was somewhat pleased with the drawing, if, for anything, its successful completion and I look forward to taking on more expressive portraits before the year runs out.

Lastly, do imbibe this quatrain I wrote as inspired by the drawing, and take it with you as you enjoy your lovely days ahead. Cheers!

Though the dark’s mouth may spew sorrow,

with our limbs caught ‘tween its jaws of pain,

always remember there is a dance tomorrow,

where our teardrops elope with the rain.

Cheemnonso

Drawing Zendaya. (Sketch)

Sketchbook: Bienfang Bristol Vellum paper

Media: Black Widow/Arteza pencils

Two months gone now, and the gliding thoughts of how to go about realism and portraiture in 2021 still seeks the right perch. Most of it has been down to busy school/work schedules, but I realized that no schedule can ever be too busy to have a decent artwork, hence my recent drawing.

My portrait reference study is no other than the Emmy award winner (the youngest if I might add) for her role as a troubled teen in the somewhat brilliant HBO series, Euphoria. She also stars as a trapezist in The Greatest Showman, and as MJ (Michelle Jones) in SpiderMan: Homecoming, Far from home and No Way Home, where the latter is still in the works. Ladies and gents, Zendaya Maree Coleman needs no further introduction.

What particularly influenced my choice of reference is not just because of her delectable roles in movies (Malcolm and Marie for starters), but also the profoundness of her skin colour. As soon as I beheld her picture on Pinterest, I realized it has been a while I drew in coloured pencils, so I decided to take up this portrait study. Who says inspiration does not trump busy schedules?

First, I decided to try out the blending of the coloured pencils on the coarser side of the Bristol vellum paper, as I did with graphite pencils for my Freckled Smile work, and I must say, coloured pencils feel a lot smoother on this coarse side of the paper when compared to graphite pencils. Building layers of colours also seemed effortless, but it was accompanied by a cuddly drawback; more drawing time. However, having used the coarse side of vellum papers for both graphite and coloured pencils, the coarse side feels more suited for coloured pencil artworks, while the smooth side seems best for graphite pencils, at least in my case, with favourable results.

For the rest of the artistic journey this year, I’d build on these media exploration outcomes whilst working on achieving portrait likeness for different facial expressions (with interludes of other studies) using dry media. Garnering inspiration from sources like Pinterest, it’d be amazing hopefully. Fingers crossed.

Cheemnonso™

Season’s Greetings🎄

With much love from Nonso’s world down to the adorable Groguverse, a merry and blissful Christmas to you and your household. Cheers🥂.

Cheemnonso

Freckled Smile. (Sketch)

Sketchbook: Bienfang Bristol Vellum paper

Media: STÆDTLER Graphite pencils

As a developing artist in portraiture, I have always wondered what an ideal and challenging reference portrait would entail. Could it be an elderly face where the mien is calm as the sea, and its wrinkles are like estuaries of flowing grace, or could it be the face of an adorable child with dimples that could entomb and smother likes of the Great Depression? The truth is, nothing is ever ideal, but my recent reference portrait is just as close as one can get. The partial eye squints, subtle wrinkles, freckles, dimples, smile connecting bulging cheeks, and pigtails, capture what I believe would be an artist’s dream in terms of realism studies, and trust me, it didn’t disappoint in difficulty given the challenging circumstances.

For this drawing, I had to make use of graphite pencils and Bristol vellum paper, as I did for my Bristol Baby sketch, but this was with a telling twist. I came across several YouTube tutorials that suggested that the back of a Bristol vellum paper is the most ideal for drawings as it is coarser and has more tooth which any preferred medium would love to cling onto, so, I decided to give this a try. However, this proved frustrating early on as it required lots of graphite layers to fill the coarse regions of the paper, and therefore translated to more hours of drawing compared to my Bristol Baby sketch. Hopes and smiles I had of drawing this portrait had become spotted, hence the figurative name of this blog post. It ultimately turned out to be the test of my patience levels in art, and you should have witnessed the sigh of relief I gave off when I completed the drawing; Phew! I was pleased with the final portrait at long last, and to be honest, I could not care less about how tedious the means to the drawing was, as long as it is justified in the end.

Notwithstanding though, feel free to use this surface for your artworks, and do let me know of your experiences.

Cheemnonso™

Coloured Conceptions

Sketchbook: Arteza Drawing pad (80lb)

Media: Black Widow colour pencils.

In coloured portrait realism, one common misconception amongst budding artists is that the more expensive the pencils used, the better the artworks. Well, that may be true in some cases, especially in the grip of professionals; however, for beginners, several factors come to play like patience, tone/depth understanding and also the art of gradations. The truth is, every artist has that wand of a pencil that seem to bend to his/her will and create magical art pieces. I mean, I’ve seen excellent artworks completed with Crayola pencils that could rival those completed with Caran D’ache luminance pencils; hence, it’s not just a matter of the pencils, but, the dexterity of the artist.
However, I’ve been exploring mediums lately to find suitable colour pencil sets for portraits. On my quest, I eventually crossed paths with this Black Widow colour pencils, which I used to portray the innocence of this child. Initially, I had a creepy feeling towards the pencil set, considering its name, but I gradually grew fond of it (nothing to worry about for arachnophobes). I particularly liked the dark skin tone variant, as it provided lots of vibrant colours to layer and blend. The pencils generally proved promising and have been included in my list of dependable pencils for portrait drawing.
Are there any other pencils you know of that is not part of the mainstream media and has presented excellent results for you? Do let me know and who knows, it could be my one and only.

Cheemnonso™

Ugochi 2.0. (Sketch)

Sketchbook: Arteza Drawing pad (80lb)

Media: Arteza Coloured pencils.

It’s been exactly three years now I rekindled my old flame for drawing, and since then, I made it a tradition to have a drawing of my baby sister for her birthday. In that time, I’ve had four drawings of her, which I like to see as a present to her and also as some sort of annual progress in my artistic journey.

This particular drawing is portrayed as the remake of a graphite sketch I had of her in 2019. I particularly enjoyed this drawing as working in coloured pencils seemed to prove a challenge at the early stages (especially with the skin tones), but ultimately, turned out okay. After sketching my first colour pencil portrait not too long ago, I had serious doubts I’d be able to replicate the levels attained in the drawing, but having this recent portrait of my sister has really served as a confidence booster to take on other challenging art studies with coloured pencils.

So for this and many more glorious reasons, Happy birthday Ugochi. Stay gold!

Previous sketches: 2019b, 2018

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Cheemnonso™

Hued Inceptions. (Sketch)

Sunday Sketchbook: ARTEZA Drawing pad

Media: ARTEZA Coloured pencils

Inspired by my last post, I decided to make my first portrait sketch in coloured pencils after dabbling in graphite pencils for a while now; and I must say, it felt good; even though it took quite some time to complete than those previously sketched with graphite pencils.

Given the unlimited shades of hue, sketching in coloured pencils could prove daunting when one tries to blend several colours, just to match the right skin tones, capture the golden mesh of a lass’s tress or portray the azure eyes of an adorable child; and if the artist isn’t ready for PATIENCE 101, he or she could easily be dispirited. But, I’m glad that wasn’t the case here, and also happy to see the drawing to its reasonable completion.

With this, I’m ready to introduce the newest member of the dry media family (Coloured Pencils), hoping she, alongside graphite pencils will be my knights in shining armor when new shading challenges come forth, particularly in these troubling days that needs a lot to keep sane.

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Cheemnonso™

The Bristol Baby. (Sketch)

Sunday Bristol Sketchbook – Page 1

In realism, particularly pencil shading, I’ve come to realize that a careful choice of materials really play a crucial role in finished artworks. Back when I started drawing, I solely used printing papers and HB pencils, which definitely aren’t the worst media any budding artist could begin with. Truth is, the sketches seemed appealing at the time, until questions on depth, contrast and longevity arose. As first steps to tackling these questions, I purchased a STÆDTLER graphite pencil set to deal with the issue of tones and depth, hence achieving more realism; and an acid-free Strathmore Sketchbook to make the drawings last longer on paper without smudging or fading away. This actually made the drawings improve a bit, but it just didn’t feel right to stop exploring other art materials.

After watching a couple online drawing tutorials, I came to know about this Bristol vellum surface sketchbook and how finished drawings looked breathtaking on them, so, I decided to get one for myself. While making this baby drawing on the recently acquired sketchbook, I felt jealous of the camaraderie between the tip of the graphite pencil and the surface of the paper. Each stroke of the pencil glided effortlessly on the paper like a graceful geisha skiing on winter ice. I was also happy with how the paper could capture the contrast the pencils were willing to offer. The drawing ultimately proved to be one enjoyable art piece for me, and I can’t wait to see how other dry media including charcoal and coloured pencils would fare on this sketchbook. Fingers crossed.

Cheemnonso™

Billie. (Sketch)

Sunday Strathmore Sketchbook – Page 8

My recent reference for portrait sketching is a lady who has proved that no one is ever too young to attain the greatest heights of success, thus, making her a source of inspiration to teenagers all over the world.

For the upcoming 62nd Grammy Awards ceremony slated for the 26th of January, 2020, she has bagged an impressive haul of six nominations, including the big four categories (Album, Record, Song and Best New Artist of the year), making her the youngest person in history to do so in the same year. She may as well be the youngest to win them all at once, who knows??

She, for me, has been the best prodigy to break out in the music industry since Lorde, not just for reanimating the sleeping ears of goth pop fans around the world, but for the impact she imparts with her music.

So, without much fuss, here’s my somewhat botchy sketch of the 21st century born, Billie Eilish.

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Cheemnonso™

The Gift. (Sketch)

So it’s Christmas, yay! A season where the atmosphere brims with joy and the love is so palpable. As it would be, this day happens to celebrate the birth of some special people including baby Jesus and guess who, (whispers) my brother.

After drawing my sister a few months ago, I had to make a promise of sketching him before his birthday; I mean, who wouldn’t want to have a pencil depiction of someone celebrated by the whole world.

I’m very happy to have finished this sketch before the year runs out, as it means I’ve completed the sketches of the best things that happened to me this decade.

So with this, I’d like to say happy birthday brother and a Merry Christmas to everyone!

Cheemnonso™

The Bow Baby. (Sketch)

Sunday Strathmore Sketchbook – Page 6

Here’s a sketch of this cute baby I came across while scrolling through Pinterest just the other day.

Immediately I saw her, I began to imagine the quirky world babies immerse themselves in. A world where tantrums aren’t ignored but cared for. A world where one could wear a smile for days and not think much about its laundry. A world where everyone’s so eager to hear the first words of your story. A world where there’s no deriding of one’s incessant mistakes but always a helping hand. Simply put, a world without worries; at least I think.

What most will give to be in this version of the world every moment.

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Cheemnonso™

Ugochi. (Sketch)

Sunday Strathmore Sketchbook – Page 4

Over the course of last fourteen months , I’ve had three drawings of my baby sister, who, by the way, happens to celebrate her birthday today. Woo hoo!

With her beguiling smile, charm and a little bit of petulance, she was able to lure me into this recent drawing of her, which I very much enjoyed to say the least. She has also been one of my dynamic references who I can actually attribute her real time growth to my artistic growth, so, I can’t thank her enough.

After attempts one and two, I’m quite tempted to say that “the third time’s the charm”, but looking back at it, I can only be amazed at the progress from each of them, hoping for more development in the coming years.

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Cheemnonso™

Strange thoughts. (Sketch)

Page 1 of my Strathmore Sketch pad.

Here’s my recent attempt on El (Millie Bobby Brown) from the Netflix original series, Stranger Things.

Upon the completion of this drawing, I conceived some thoughts on artistry, particularly pencil drawing:

•I’d like to think drawing as the portal between two worlds: our world and oblivion, where the artist is its gatekeeper and his/her media, the keys.

•I’d like to think artists as those who not only possess the deftness of visualization, but also the ability to percept ultrasonic screeches from entities stuck and forgotten within the walls of blank canvases, waiting to be let out. Strange.

•I’d also like to think a pencil artist as a “compassionate sorcerer” who with the subtle strokes of his/her wand and the seething darkness spewing from its tip, conjures up his/her deepest epiphanies from a clean slate. Dark magic, huh.

•I’d finally like to think that just like alpha numerics, drawing should be learned and not necessarily inherent, thus, all humans are artists, making us gods of some sort from the aforementioned thoughts. Hence, before that bob start clanking repeatedly on our aluminium coated mindscapes, yelling, “I’m not talented, so I can’t draw; or I’ll never reach the levels of elite artists”, remember that not all Greek gods reside at the summit of Mount Olympus, not even the nine Muses; but we budding artists can only strive to get there.

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Cheemnonso™

Villanelle. (Sketch)

Page 5 of my sketchbook.

Over the years,some stone cold female assassins have graced our TV screens including Mystique, Nikita, Talia Al’ Ghul, Elektra, Jane Smith and even Arya Stark, but none caught my eyes the way Oksana Astankova does. Her mecuriality, charisma, femininity and scathing sense of humor makes psychopathy seem charming and fun. She is truly one enigmatic and exuberant serial killer portrayed by Jodie Comer brilliantly.

So, here’s my sketch of Villanelle from the amazing TV series, Killing Eve.

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Cheemnonso™

Jenny. (Sketch)

Page 4 of my sketchbook

After my camaraderie with HB pencils, I decided to get a graphite pencil set ranging from hard to soft grades (2H – 8B) in order for me to plumb the depths of sketching and shading. To be honest, having a wide range of pencil grades to choose from, seem to ease the attainment of value and depth in portrait drawings.

So without further ado, here’s my recent stop, Jenny, on my progressive artistic journey.

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Cheemnonso™

Dany. (Sketch)

Page 3 of my sketchbook.

At long last, the totally absorbing series, Game of Thrones, drew its curtains after eight fantastic seasons albeit a somewhat drab series finale.

Nonetheless, here’s my sketchy tribute to Queen Daenerys Stormborn of the House Targaryen, the First of Her Name, Queen of the Andals, the Rhoynar and the First Men, The rightful Queen of the Seven Kingdoms and Protector of the Realm, Queen of Dragonstone, Queen of Meereen, Khaleesi of the Great Grass Sea, the Unburnt, Breaker of Chains and Mother of Dragons,regent of the realm.

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Cheemnonso™

Baby Steps to Realism

Page 1 of my sketchbook:

It’s been a while since I sketched something, so, I got hold of this sketchbook and a couple pencils, then decided to portray Arya from the Game of Thrones series.

Still off by a long shot, but Rome wasn’t built in a day. Let’s see where these baby steps to realism lead and how many souls I’ll draw out from the walls of these blank pages.
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Cheemnonso™